If it's a bit quiet today that may be because everyone is at BBU 2013, Forchheim Juggling Convention or London Hoop Fest.
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Hey hey,
Jon asked me to introduce myself here, so here goes. My name is Jamie White and I juggle in and around Pittsburgh, PA. I just started up juggling again after a long break, but am getting back heavily into it and will be tracking my records and hanging out around here.
Yay,
Jamie White
Hi Jamie! Good to have you on board. If you fancy hanging out for some real-time chat, have a look at jugglelounge.com for information on how to get at the ##juggling irc channel on freenode.
# by Little Paul, 2013-04-16 09:43 BST Parent
Hi Jamie, thanks for joining in. It's great to have a new person to talk to. Have you found the IJDb records import page (I double checked that importing from your IJDb ID number works last night & that I have your old records in the database)? Are you a member of the LITVB jugglers (http://www.jugglingedge.com/club.php?ClubID=27&)? & What's your favourite flavour of muffin?
Oh, I had tried to import them but did not realize I had to use my user ID #. Yay! I am not a member of that club, but have juggled with some of the people from it at festivals. I primarily juggled in Pittsburgh when I was heavily active, as part of "The Campus Fools". My favorite muffin is probably red velvet, if those exist. I am glad there is a juggling chat as well.
You don't have to, it's either/or. However, the IJDb members table was culled periodically so some users were removed but their records remained. You were one of the people who had their username removed so you only have the option to import using your user ID.
I'd not heard of red velvet before, but cream cheese & sour cream in a muffin? That does sound good.
I think that Americans might have a different interpretation of the word muffin to ours, which might account for different flavours.
"Muffin" != "English Muffin" (which as far as I can tell isn't even a thing in England) but I think both sides of the pond would agree that muffins are small cakes, eg:
http://www.thecakecrew.co.uk/wp-content/uploads/2011/10/muffin.jpg
Red Velvet muffins I assume would be based on "red velvet cake" mixture, which is an odd beast. There are many variations on the idea ranging from "chocolate cake with red food colouring added" which sounds a bit disappointing, to "chocolate and beetroot cake" which sounds more interesting.
I think it probably could work as a muffin mix, although being quite a dense cake you'd probably have to add an extra raising agent to get it to bloom like a muffin does.
# by Little Paul, 2013-04-16 20:11 BST Parent
And that's the second time in a week I've been talking about muffin recipes with jugglers.
# by Little Paul, 2013-04-16 20:12 BST Parent
Well, I personally definitely use "muffin" to refer to both the cakes and the bread type:
http://upload.wikimedia.org/wikipedia/commons/thumb/6/6c/Tesco_muffins.jpg/800px-Tesco_muffins.jpg
It's probably unambiguous in this context (I'm not sure how many flavours of the "English muffin" you can get), but better safe than sorry, I suppose.
No. Cupcakes have nasty icing on them and are often dry and taste of sawdust. Muffins cannot under any circumstances be iced, and they are on the damp side and taste strongly of something yummy.
This may sound unbelievable, but sometimes cupcakes can actually have nice icing on them! It may sound impossible, but it really does happen!
Muffins are so much better though.
I thought cupcakes were mostly made as table decorations and shop window dressing...
I require scientific evidence before I will believe this. Obviously a large sample size will be needed to achieve experimental validity.
Can the large sample size be spread across different juggling conventions?
Do you need help with scientific endeavour? I could be available to help judge if they are not chocolatey.
I should think so, my testing equipment is not geared up to test large samples in a very small space of time. With extremely large samples the equipment may even reject some of the test products entirely, which is messy.
Lorri's "cupcakes" at Lestival were delicious, though I might have described them as "mini-muffins decorated with icing" if I had not been authoritatively informed that they were cupcakes. Early results should not necessarily be reason to end testing yet though.
There were also some peppermint flavoured cupcakes, decorated with blue icing and half-polos, sold at the Lestival café which tasted interesting.
#LestivalLeicester
Indeed, provisional tests indicate that small sized carrot cupcakes can be very tasty and not at all too dry. Reducing the amount of icing from the more usual boat loads was definitely an improvement. Props to the lead researcher on this project!
Tomorrow's science experiment involves research into raising agents and baking duration in chocolate-ginger-chilli cake.
I feel I am still unclear on the whole cupcake/muffin dispute - I could never make such an authoritative call. Perhaps more empirical investigation is required.
However, thanks to Cosmo/Bryn I do now have a grasp on the tiffin issue.
true experimental validity requires the experimental results to be reproducable by a third party.
I have some suitable test equipment available if it's required...
# by Little Paul, 2013-04-17 11:57 BST Parent
My missus is helping to start a boutique muffin business, made by a friend of ours. They are truly astonishing confections, all glitter and piped creme patissiere, and £1.50 a go!! I have a sneaking suspicion that they will be topped with either a) the finest icing ever known to humankind; or b) the cheaper option, 100% Columbian cocaine. Either way yer gonna get hooked.
# by Cedric Lackpot, 2013-04-17 18:53 BST Parent
Muffin cupcake pah they are all just fairy cakes to an old traditionalist like me
Almost, but there is a distinction - muffins are fat loud disappointing fairycakes, cupcakes are ugly fairycakes wearing loads of slap in an attempt to disguise their uglieness.
In short, muffins are from birmingham and cupcakes are from essex.
# by Little Paul, 2013-04-17 22:09 BST Parent
*adds Topper to the list of jugglers not to accept cake from*
It's quite an exclusive club, currently it's just Topper and miarke
# by Little Paul, 2013-04-18 18:48 BST Parent
I've seen him spell his name so many ways over the years, I lose track of how he's currently spelling it.
# by Little Paul, 2013-04-18 19:47 BST Parent
As a former Chocfest (Chocolate) Cake Challenge Winner, I am not sure I like to hear my cake making abilities being maligned.
Miarke (or Mïark for short)
At least two spring to mind - the "chocolate block cake" - which was a brick coated in chocolate icing, and his "belgian surprise truffles"
Which were sprouts dipped in chocolate.
# by Little Paul, 2013-04-18 19:49 BST Parent
He didn't even cook the sprouts!
# by Mike Armstrong, 2013-04-19 09:26 BST Parent
I seem to remember some discussion about whether or not the surprise was the sprout, or the fact it wasn't cooked.
# by Little Paul, 2013-04-19 10:44 BST Parent
All I remember is the judges' comment "Tasted like Christmas"
Really? I thought they were cooked. They cut in half easily enough!
The sprouts were cooked, they had been gently steamed in the microwave till they were tender (it is very important not to overcook sprouts, overcooked sprouts are probably why so many people don't like sprouts). I don't know why there is so much prejudice against chocolat legumerie they were very nice (if I say so myself). I can share the recipe if anyone wants it. Much better than Helen's chocolate covered balls of haggis.
From memory:
Recipe for Belgian Surprises
ingredients:
Sprouts - fresh (not frozen) and preferably small, (smaller ones are sweeter)
Chocolate - good quality darker chocolate compliments the sprout flavour better than a sweet milky chocolate
cocoa powder
chocolate sprinkles (optional)
method:
With a sharp knife remove and stalks or tired leaves from the sprouts.
Briefly steam the sprouts (either in microwave or in a steamer) taking care not to overcook (as this will spoil the flavour and texture of the the sprouts and make them soggy and sulphurous).
Pat the sprouts dry with clean cloth or kitchen paper.
Melt the chocolate either on a low setting in microwave or in a bowl sitting in another bowl of very-hot (not boiling) water, do not let the chocolate get over 32 deg.
Once the chocolate has melted carefully dip the sprouts in the chocolate, allow to cool a little and redip to ensure a consistently thick coating of chocolate.
Before the chocolate coating totally cools, roll the (now ensconced in chocolate) sprouts in the cocoa powder or chocolate sprinkles to give pleasing finish and prevent them from sticking together in transit to the Cake contest.
Sorry for any details inadvertently missed out, but it is over five years since I last made any Belgian Surprises
A cupcake/fairy-cake should be light and an american muffin should be moist.
I also was asked to say hello. Hello. My name is Joe Showers, and I juggle. I'm from Rochester, NY, so I make most of the Northeast circuit. I think the first thing I'm going to do is get a HLGCBS up for the RIT Spring Juggle-in. Psyched to see what the juggling edge is all about.
As a way to say hello, here's a video that just got done rendering.
http://juggling.tv/13050
I promise I'm not a shameless self-promoter, I just wanted to bring a gift to the party.
# by MasterKatra42, 2013-04-17 18:25 BST Parent
Yay! Joes here! :)
# by Little Paul, 2013-04-17 18:52 BST Parent
and now, having watched the video - part of it made me snort tea down my nose, but to say which bit would spoil the surprise :)
# by Little Paul, 2013-04-17 19:22 BST Parent
Hello Jamie and hello Joe. Joe thanks for the link to the video, very nice I enjoyed it.
# by pumpkineater23, 2013-04-20 12:40 BST Parent
Volunteering at juggling festivals
Much has been said revently about the difficulty of obtaining cheap/free labour at juggling festivals.
What suggestions do people have for increasing the volunteering rate, or do people think festivals are over-reliant on this form of labour and should instead pay for more jobs to be done (leading to inevitable increases in ticket prices).
Re: Volunteering at juggling festivals
Attitudes are hard to change. Essentially it all boils down to encouraging people to do what they don't want to do. Volunteering for a festival is work. It is often argued that the work itself is good fun which is reason enough to do it. Which is true, but offering fun in exchange for work at a juggling festival is not much of an incentive. It is a juggling festival - fun is not exactly hard to come by. I can work & have fun or I can not work & have fun. Hmm, decisions.
Acknowledgement of volunteers is very important. Not wishing to name any names but a few years ago while fence monkeying I listened to one of my lot incessantly complaining, "It's my holiday, I'm not here to work, I've paid for my ticket...". In recent years though with badges on offer you can't stop that person volunteering now. For some a badge is a very cost effective form of payment. For me I prefer a human thank you. For festivals that ask you to go & report somewhere after volunteering to collect your badge I generally won't bother, but if someone (preferably a pretty young girl, but that's just my preference) comes & gives you a badge that's much more meaningful.
There are other incentives of course. I think it was at BJC 2008 that while clearing litter from the viewing gallery I collected £1.39 in loose change. It was a heavy evening at the bar that night I can tell you.
Also important is to not waste volunteers' time, in that respect BJC 2007 was very frustrating for me.
I'm hesitant to reference a marketing campaign but I think The Fun Theory provides many lessons. If you only watch one video from there watch this one, it's great.
How this applies to badge control I'm not sure. Some sort of Krypton factor esque puzzle where your pass needs to be used as some sort of key to pass through a turnstyle or perhaps passes with RFID tags in them that have to be thrown through a hoop 3 metres up in the air to open a gate to allow you to pass through. Emptying bins? If that means hurling trash bags over the fence at a moving refuse truck with a trebuchet then I am there.
Yeah, I'm not helping any more am I.
Re: Volunteering at juggling festivals
Volunteering at juggling conventions can be divided into two broad categories
1. Volunteering at short non-camping conventions
2. Volunteering at large camping conventions
The requirements are quite different. I think that volunteering at short conventions should be largely organised in advance - a small rota for who is going to cover the reg/info desk, someone (or preferably two people) to run the games and then a team for the show. Most other roles can be quickly filled by a "shout out" as they tend to be short tasks.
Volunteering at large festivals is a bigger problem. It isn't so easy to schedule in advance, as I don't think that it's a good idea to have a very small bunch of people doing all of the volunteering - this leads to burn-out. I'm going to be struggling with this dilemma in 2014 at the EJC in Millstreet, so have given it some thought already. One of the main issues I see is getting reliable volunteers without overworking them, especially for areas of responsibility.
Definitely one thing I've learned over the years is that a simple to use volunteer sign-up sheet should be ready to go before the convention. There will always be certain times when you have many volunteers, and at others no (or insufficient) willing volunteers. That is the nature of relying on volunteer labour. So you need to have a plan for what to do if you don't have enough people to do badge control - are there any non-essential points that can be shut down if no-one is there to cover them? (This was an issue in Munich this summer - lots of entrances into all of the camping areas). Each job should have a brief (but accurate) description about what's involved, so that people can make informed decisions.
However, sufficiently thanking people is really important. The reliable volunteers are not those motivated by collecting badges; but the bigger point of the volunteer badges was not expressly to thank people, but rather to highlight the need for volunteers and to make volunteering more visible. I've already stipulated that for EJC2014 that I need at least 3 others working with me as points of contact for volunteers. Volunteers need to be cared for, this is hard to do if only one person is responsible for co-ordinating volunteers. It's trying to achieve this on a limited budget that proves the big challenge.
Ideally, I'd like a sign up process that allows people to state any useful specialist skills (that they'd be willing to use during the convention), so that we use relevant skills. I'd also like people to be able to state their preferred times of the day for volunteering, or specific times during the conventions that they are not willing to volunteer during.
From the last EJC in Ireland (2006), there are some things that I learned. Getting volunteers is tricky. Getting volunteers to cover badge control at "unsocial" times is especially tricky. Badge control is boring at quiet times.
• At very large conventions you need more than one person responsible for volunteers - I think that you need at least one person just responsible for badge control.
• Checking on your volunteers regularly is important so that they can feel that easy to report issues without it feeling like a direct criticism.
Jugglers like "task orientated" volunteering - and it's much easier to get people to volunteer for this than for scheduled tasks. Going into the campsite or the juggling hall and looking for those who aren't actively juggling and asking nicely is a good way to go.
I've run the numbers on the requirements for scheduled volunteer requirements for EJCs/BJCs. The large consumers of volunteers are:
• Badge Control
• Registration/Information Desk (also merchandise sales)
• Bar
• Litter picking / Tidying
• Stewarding at shows and parade/games
As the Registration Desk and working on the bar involve handling cash, there needs to be a form of vetting for these roles, but the other roles can be open to most adults. Litter picking can be done by kids, but this needs some caution as it depends on what areas they are litter picking in.
The frustrating element is when people come up to you as a volunteer co-ordinator and say "I'd like to help, what do you want me to do?", when you don't have anything suitable for them to do. This is mainly because they want to volunteer immediately rather than a scheduled time later on and they don't want to go "litter picking" (which is the stand-by thing that almost always needs doing). If this happens a number of times then people say that it's not worth going to volunteer.
One thing that I'd like to see slightly expanded is a "volunteer hangout" area; with a fridge (stocked with some milk) and tea and coffee making facilities. From experience, I'd only have a limited number of cups, and encourage people to bring their own (to avoid a build-up of unwashed cups). Some comfortable seating is helpful. I know that access to an electric kettle is very convenient if you want to have a hot water bottle on a cold night! This is a way of thanking volunteers in a practical way that doesn't break the budget when you scale it up. This isn't a completely sectioned off area, but rather an area marked "for volunteers". I also think that if people are doing heavy lifting [i.e. fencing] for hours then they should be given refreshments to keep the energy going.
I'd also like people's opinions on how to promote volunteering, before and during the convention without becoming irritating. One of the things that I most enjoy about volunteering (which I do a lot of at the bigger conventions) is meeting new people. If I didn't volunteer I would have stuck largely with people that I already knew.
• So what motivates volunteers? Specifically, what motivates you to volunteer at a juggling convention?
• What do you think is an appropriate "thank you" (other than just saying "thank you"!)
• After how much time volunteering do you think that you should be fed?
Dee
Re: Volunteering at juggling festivals
This is in response to Dee's Big Talk post about festival volunteering, it's not worthy of a Big Talk reply, hence putting it here. [I disagree, hence putting it here! - Orin]
Huge disclaimer, the only festival I have actually been to was in fact the EJC 2006 in Millstreet that Dee and Stephen and company organised very well in my opinion (see disclaimer). So this is from the first-time festival goer point of view.
After travelling all that way and doing a fair bit before I got to Millstreet and it being my first ever Juggling festival, initially I just did not want to volunteer and lose valuable fun time and felt a wee bit guilty about it. After the first few days when the buzz reduced and feeling a little overloaded on juggling and having been slightly frustrated at the on site "internet cafe", I thought as an experienced IT worker I should probably volunteer to help in that area. After wondering how to do so and looking around I came across a rather cold unfriendly note which basically communicated they did not want any more help in that area. If there had been someone to discuss it with, I could have pointed out that I likely knew more than 80% or more of the current volunteers in that area and that I had ideas on how to solve some of the issues and frustrations being experienced. Once I had gotten over it and thought I would volunteer for something mundane instead, it seemed that everything that needed volunteers during my by that stage highly unpredictable waking hours had plenty of people already signed up. In short, once I was inclined to help out, there didn't seem to be any need for me. Now, I'm not criticising, I'm just sharing the experience from my point of view in case there's any value in it for any festival organisers.
Dee also asked for incentive ideas:
hmmm they're all really the same idea aren't they
other suggestions:
Re: Volunteering at juggling festivals
Dee posted this which I think is from an organiser's view:
Definitely one thing I've learned over the years is that a simple to use volunteer sign-up sheet should be ready to go before the convention. There will always be certain times when you have many volunteers, and at others no (or insufficient) willing volunteers. That is the nature of relying on volunteer labour. So you need to have a plan for what to do if you don't have enough people to do badge control - are there any non-essential points that can be shut down if no-one is there to cover them? (This was an issue in Munich this summer - lots of entrances into all of the camping areas). Each job should have a brief (but accurate) description about what's involved, so that people can make informed decisions.
Speaking as a convention goer & potential volunteer, I want to see that plan & the job descriptions before the event.
From my early conventions I remember being too scared to volunteer because I didn't know what I'd be asked to do. What if I couldn't do it? What if I was asked to volunteer during BYJOTY? Better to not volunteer than offer to help, get given a task that was beyond me or that clashed with something I wanted to do then say sorry I've changed my mind.
Here at the Edge we have a simple timetable creation system that could be used for this purpose. I've made a quick & dirty example here:
http://dev.jugglingedge.com/timetable.php?TimetableID=4&
As volunteers come forward you could edit the title to state "FILLED - ...". That way as people look at the timetable they can see also see when to volunteer. When I volunteer I do so because I want to help, which means I want to be useful, which includes being available at a useful time. With a timetable such as this I can clearly see what needs to be done & when other people are volunteering so I can fill in a gap.
Having a volunteer & a workshop timetable available at the same time would also allow convention goers to help the volunteer coordinator. I'm generally unwilling to volunteer my services until after I've looked at the workshop timetable just so that I can make sure I'm not stuck at badge control during the levitation for beginners workshop.
Re: Volunteering at juggling festivals
I was going to respond to this one from an events manager point of view rather than as a juggler but I really should have written my response when I first clicked the timer as I've forgotten what I was going to say. I've posted anyway but apologies if this isn't as constructive or coherent as it could have been!
Reducing the need for volunteers
Venues
I understand that organisers are usually limited in their choice of venues but wanted to highlight some options there for reducing the number of volunteers required at the larger juggling conventions.
If you get a choice of venues (or even when you first start looking at one) take in to account the number of entrance/exit points for the building *and proposed campsite*. You want the smallest possible number of entrance/exit points to limit the number of badge control volunteers that you'll need. One building rather than multiple buildings is obviously a help. A campsite that's (at least partially) ringed by walls or permanent fencing means fewer places for an entrance/exit - planned or unplanned. If the entire campsite is ringed by temporary fencing then people will often try to make another, more convenient, entrance point which will need volunteers to check badges as you may not be able to shut it down once it's in use. Check if the venue staff have ideas for how to reduce the amount of entrance/exit points - they should know their venue better than you.
Contracts
Check your contracts thoroughly and don't forget that contracts are negotiable.
Badge Control
Unsociable hours badge control will need to be done by non-volunteers (this includes show times) but it may be worth checking how much it would cost for professionals to do daytime too. You may find it costs too much but you might also find that it's more cost effective to pay for it rather than spend time finding, checking and chasing volunteers. Even if it's only some of the badge checking points and not all of them.
Volunteers
Existing advice
There's some good stuff on www.thebritishjugglingconvention.co.uk on volunteers - http://thebritishjugglingconvention.co.uk/wiki/index.php?title=Volunteer - which is well worth reading. There's also a page on housekeeping. One of the easiest (but least liked) volunteer jobs is clearing/cleaning; this page has suggestions on how to get jugglers to do it themselves, without having to explicitly volunteer - http://thebritishjugglingconvention.co.uk/wiki/index.php?title=Housekeeping.
Combine two points on those pages and if you're getting the compere for the show/renegade on the first night to thank all the volunteers then get them to also thank everyone who emptied a bin or gave the toilet sinks a quick wipe too. It'll encourage others to do the same.
Delegate
Despite being a control freak (all events people are) I've learnt to embrace delegating. Empower your team to find their own volunteers, whether in advance, at the event or by finding their own volunteer co-ordinator to arrange it. Do you have someone in charge of the registration desk? Let them find their own volunteers to run the desk with them. Do you have someone in charge of shows? Let them find their own stewards. Do you have someone in charge of the campsite? The indoor space? You know what I'm going to say.
I don't mean make them find their own volunteers, that would be beyond unfair, but let them put their own small team together if they want to (and help them if they don't). You'd be amazed how well some people respond to having more responsibility and you're asking them to lead a small team - even if their 'team' consists of one volunteer co-ordinator. And if you're the person in charge of volunteers at the event? Get yourself a team of volunteer co-ordinators - registration desk, badge control, stewards, first aiders (if not provided by the venue), campsite cleanliness, indoor site cleanliness, signage etc for those orgs that can't/don't want to do it themselves. Obviously this needs to be done in conjunction with the org team so that you're helping them if they can't or don't want to find their own volunteers rather than duplicating work. These co-ordinators can then find people in advance or get/co-ordinate people who volunteer at the event itself.
Appreciate them
I'm probably unusual here but I don't need anything for volunteering, a "Thanks" is actually more than enough. General consensus though is that you need to show your volunteers that you appreciate them in some way. Whether that's by a personal thank you, badges, general thank yous from show comperes, special volunteer areas or whatever, some people will love it and others won't think it's right or will think it too much. I'm going to leave suggestions for signs of appreciation to others ;)
Don't abandon them!
Some people will leave their post when their time is up, even if there's no replacement; others will do a double shift instead but it won't make them particularly happy. Check whether replacements turn up on time. This is where having a small team of volunteer co-ordinators helps dramatically. Checking on every volunter post every time the volunteers switch over is impossible for one person.
Don't make badge control (or registration or any volunteer post) go from midday to 2pm or they can't get lunch. Give your volunteers a way to contact someone - whether that's by radio or by internal phone, or via a mobile phone number it doesn't matter but don't make them feel like they have to sort issues on their own. Leave instructions at the volunteer post in case they're not passed on in person. Make your volunteers feel supported and they'll feel part of the extended team.
New ideas
Something that's not been used to date (that I know of) is utilising smart phone technology or social media. If an unexpected job needs doing a call for help via twitter/FB/the event website might work. Although only if you advertise the hashtag/FB page/website as a place to look during the convention for info or volunteer requests.
Or how about reminding people when they've signed up for volunteer sessions. Texts and tweets can be automated so can be set up to remind people at the right time, which might reduce no-shows. Although someone will obviously need to set it up.
Has anyone looked in to free event apps? Again they need to be set up in advance but last minute changes can be updated easily. www.twoppy.com is one example.
Not litter picking
On the spot volunteer jobs that aren't litter picking? How about doing something nice for your volunteers. Get your new volunteer to take cups of water/tea/coffee out to those doing badge control or manning the registration desk.
Or get them to walk to the workshops/traders/anywhere on site and check how well they're signposted. Give them sign-making equipment (paper, pens, blue tack, sellotape if the venue allows) and ask them to replace any lost or missing signs.
Ask them to walk the perimeter of the campsite or full site and to report back. Everything ok? Any unplanned gaps in the perimeter that need to be dealt with? Patches of site that have turned in to a quagmire? These people don't necessarily need to fix things (although if they're happy to then naturally encourage them) but they can be your eyes and ears around the site.
Likewise they could scout out the toilets and showers for cleanliness or lack of toilet roll/cleaning equipment. Again, they don't need to fix the problems if they really don't want to but they can report back.
Trust me, the org team can't be everywhere and they shouldn't try.
There are more 'scouting' jobs last minute volunteers can do - check with the bar staff, the traders, the reg desk, anyone or anyplace where you have things going on. Even just hearing an "everything's fine" back will make you feel better, them feel looked after and your volunteers feel useful.
To finish I'm going to go back to that sentence I just wrote - "Trust me, the org team can't be everywhere and they shouldn't try." I cannot stress this point enough and this is where random volunteers can really help you. You want to know what's going on and you want to fix everything that goes wrong; of course you do, this is your event and you want it to be the best it can be. Likewise you probably think that it'll be quicker and easier for you to fix it yourself than explain or trust it to someone else. But you running off to check on people or fix something little means you may not be available for a bigger problem. Send your random volunteers off to check things and fix any small problems so that you're there for the big problems. Yes, if the event runs smoothly this means you end up not doing anything but this just means you've done a great job! Plan your volunteers in advance (especially tasks for random volunteers) and it'll be a happier convention for them and you.
Went slightly off topic there at the end, sorry :o)
Re: Volunteering at juggling festivals
Knew there was more I meant to say that I didn’t put in my other post -
Non-juggling volunteers
Wouldn’t it be great if you could get good volunteers who were willing to work more than just a couple of hours and wouldn’t care which bits of the event they couldn’t attend? Well you might be in luck...
If there’s a university or college in or near the same place as your convention then check whether they have an events management degree course. Events is a difficult industry to get in to and experience counts a *lot* when job hunting, so contact the course leader to see if any of their students would be interested in some real work experience.
Write a proper description of the event, what their role would cover (including the hours you’ll require them) and what skills or characteristics you’re looking for. The course leader will normally circulate it to their students and either ask them to contact you directly or will pass on interested people’s contact details.
Check they’re going to be suitable. Even if you’re not lucky enough to get a choice, interview them anyway – even if it’s just by phone. You want someone smart, confident and able to use their initiative. And reliable, obviously.
If you do get someone then plan what you’re going to use them for. This is supposed to be proper work experience for them and if you plan it properly they’ll be an invaluable help for you. Don’t just leave them on badge control all day or sitting somewhere waiting for you to think of something for them to do. If you can, meet with them beforehand to discuss the event in detail; they’ll get a better understanding of the event, you’ll be able to discuss their role and they may even have good suggestions too. Treat them as a member of your extended team (which they will be) and show them what it’s actually like to (possibly help plan and) be on-site at a festival for ~1,000-5,000 people.
Feel free to get more than one events management student if you can and don’t be afraid to tell them they need to be on-site early and stay late; that’s what real events are like and if they don’t like it then it’s best they find out now so they can start considering a different career. Just don’t spring it on them, make the hours and work clear from the beginning! ;o)
Also make it clear what compensation you can offer them. Standard offer is usually just:
Added extras, if you want/can afford it
If they’re good then you get invaluable help and they get a boost to their CV and job prospects. Win-win! And if they are good then write them a useful reference; key skills & characteristics events employers look for (which you should include in your reference if they had them) are:
Re: Volunteering at juggling festivals
This is what I've come up with myself as an examplar timetable for running volunteers at an EJC:
https://docs.google.com/spreadsheet/ccc?key=0AnbIZmKZXOdjdDMzZnFqRXdyaHI5RnVIQzllRlhPM1E
For the numbers needed at an EJC, this is what I've come up with off the top of my head (after years of experience) - I'd like some additional eyes to glance over it and see if I've missed anything obvious. Many numbers are dependent on the size of the site and numbers attending, but it's mainly to check if I've missed an obvious task!
I like the friendly appearance of the timetable here
http://dev.jugglingedge.com/timetable.php?TimetableID=4&
I think that this would be a good "outward facing" timetable that could be filled in before the convention - but one of the problems about jugglers signing up to volunteer before the convention starts is that you don't know what workshops are when at that point! This creates a problem when things need to be changed during the week - keeping track of which "version" of the timetable is currently operational becomes a mammoth task.
I also really like Lorri's suggestion about using non-jugglers: I've found some of the most reliable volunteers to be parents of jugglers - they want something to keep them occupied and in a location that, if they are needed for some emergency, they are easy to find. This is especially useful for registration desk during the week! Having people who want practical experience in event management on as "super-volunteers" throughout the week is a "win-win" situation.
Something I have done, for younger jugglers especially, is written a reference for some of the more enthusiastic volunteers after the convention; this is especially helpful for those who have had little "workplace" experience.
Re: Volunteering at juggling festivals
Last week i have been at the Berlin juggling convention and they had an interesting new way to 'motivate' volunteers.
When checking-in onsite one would not get the real badge, but instead was handed a postcard. The so called 'Looser badge'. Subtitle: 'I accept any work'. On the backside the need for volunteers was explained as well as the way how to obtain a real badge. Those were obtained from the volunteers desk after signing up for one hour (or more) of unpaid slavery. Organisers and special volunteers got real badges right away.
The people at the registration took care to properly explain the need for volunteers to keep the convention price low (30 EUR onsite price for 4 convention days with camping and breakfast 9 a.m. - 2 p.m. + very good gala).
This approach was an experiment this year and it went very well. The festival ran really smooth and had a cosy feeling although there were some 800 participants. It also reminded many people of the need for volunteers.
Re: Volunteering at juggling festivals
Doesn't Berlin have a history of mandatory volunteering? I've not been myself, but have heard from people who have that normally when you arrive you are immediately booked into your 1 hour volunteering slot.
Re: Volunteering at juggling festivals
Yep, they've traditionally required an hour of volunteering, with jobs and times allocated on registration. It sounds like they've upped the ante with the "loser" card though. I wonder if they'd been having problems with people not showing up for their allotted job?
# by Mike Armstrong, 2012-06-19 13:00 BST Parent
Re: Volunteering at juggling festivals
I've been a few times to Berlin and don't remember volunteering as ever being mandatory, although it is expected (at least that is how it was translated to me).
Personally I don't like signing up for slots immediately on arrival, as I like to have a look at the programme, workshops etc first before committing to a time. On the occasions that I have been to Berlin I have never signed up immediately, although I have always managed to fit in at least an hour or so sometime during the festival. I do remember at least once returning to the sign up board late on the first day to find out that all of the slots were full; even the really inconvenient ones; which was great for the festival, but probably let a few people off the hook.
I don't really like the forced approach, and feel it could be quite intimidating, especially if you were new to juggling or if the festivals native tongue was not your own. Having a 'badge of shame' until you volunteer also doesn't quite sit right with me, but may achieve the goal of getting the required number of volunteers.
At a number of B(ritish)JC's / EJC's I do feel that the visibility of where and how to sign up for volunteering is rather obscured, and the expectation that volunteering should be undertaken is not expressed very forcefully on registration. Berlin certainly gets around both of these hurdles and has in my experience has generally succeeded in getting the required help the organisers desire (subtext: no substitute for ruthless German efficiency!)
James
# by jamesfrancis, 2012-06-19 17:31 BST Parent
Re: Volunteering at juggling festivals
It was my first Berlin convention, so I have no comparison with other years.
One was not required to sign-up for a volunteer job right at the registration. One was not even forced to do it at all as the 'Looser-badge' gave full access to the entire convention and show tickets were completely independent.
The guys from Berlin said that they have had some problems getting enough volunteers in past years, but I didn't dig into details there. On the other hand the Berlin convention is a rather big and cheap one with over 800 participants over 4 days and 25 EUR (30 EUR onsite) registration fee. They rely heavily on volunteers to keep it that way and have many jobs during the 4 days, especially for the included breakfast that goes from 9 a.m till 2 p.m.
From other conventions i know the problem of having a hard time motivating people to volunteer, especially people new to conventions. A constant reminder like this badge is not a bad idea imho.
Re: Volunteering at juggling festivals
I think the idea of trading the "real" pass for volunteer hours is brilliant, but calling people "losers" before they have even got past the front desk seems a pretty unpleasant way of treating customers.
I also wonder what happens to people who come looking for volunteer work but are surplus to requirements. Do they have to remain losers?
Re: Volunteering at juggling festivals
"Mandatory volunteering". Riiiiight.
It really annoys me when people try to spin a requirement as voluntarism. It may be an excellent way to run a convention, but it ain't remotely voluntary and it's just a cynical lie to suggest otherwise.
# by Cedric Lackpot, 2012-06-21 23:04 BST Parent
Social pressure
Social pressure is my personal number one!
I have attended 4 EJCs, but still probably less than 10% of the people around know my face. If I do nothing at this convention there is noone who will tell me different, and as it is the same for my friends I might do 1 badge control at most.
At the Dutch juggling convention however I recognize 75% of the people, and probably even more know mine. My personal friends have organised it, the local juggling club has been talking about it all year, I feel like I have to show some support!
As a juggler I like to impress people. Jugglers are generally hard to impress with my skills, but I am glad they like the graphic design I do. I will remind others that they should do some badge control too and I think everyone knows where to find me if they have a last minute job. Heck, ill even take a day off to break down all the tents (3 times so far).
There is such a big contrast in these two personalities of mine and I think they only exist because of social pressure or the lack of it.
One suggestion to generate more volunteers on an international convention would be to have a coordinator from every country! On the EJC for example you could ask all the representatives or have them select someone. If there would be a Dutch guy (who probably happens to be a friend too) who knows what needs to be done and asks around every now and then if we did a job, I bet I'd be moving my ass again ;)
Daniel, an anti-social autistic juggler.
http://www.youtube.com/watch?v=U6ZUoqxWwMo
^Tom_ mentioned this in ##juggling tonight, and I thought I'd drop it here partly so it reaches a wider audience and partly because I need to leave the office in a couple of minutes and don't want to lose the link on my way home (and it'll save me digging out my VHS copy later!)
# by Little Paul, 2013-02-12 18:40 GMT
bah. Only the first 5 minutes. I am disappoint. Perhaps I'll have to dig out the VHS afterall.
# by Little Paul, 2013-02-12 21:27 GMT Parent
about 25 minutes I think. It can be had on DVD from various places.
# by Little Paul, 2013-02-12 23:01 GMT Parent
I was close. 26 minutes. http://www.jugglingstore.com/bobby-may-dvd-607.html
# by Little Paul, 2013-02-12 23:04 GMT Parent
But if you by the DVD your EVIL!!!!1!
Bobby May's legacy is the property of his family (and Frank Dicko) and the only way to truly appreciate it is to buy the VHS which Frank Dicko and Dube made and Frank makes money out of. And not the DVD which Dube made on his own after he got sick of being messed about by Frank.
Or something, this was going to be a funny rant but I ran out of enthusiasm very quickly!
-Mike
# by Mike Armstrong, 2013-02-13 10:53 GMT Parent
*sells vhs*
*buys twelvetyhundred dvds*
# by Little Paul, 2013-02-13 11:48 GMT Parent
South Tyneside Magic Festival has pulled in some great acts again; Charlie Frye, Sylvester the Jester, Scott Land and Paul Daniels look like the highlights for me so I reckon I'll be going to both shows, but it is only 20minutes from my house!
See http://www.magicbox.uk.com/south-tyneside-convention for some more details.
Cheers
-Mike
# by Mike Armstrong, 2013-02-07 13:00 GMT
Thanks for the headsup, that's very tempting.
# by Little Paul, 2013-02-07 14:14 GMT Parent
Has anyone seen anyone ride two bicycles at the same time i.e. with one foot one one pedal of each bike, with one bike on the left of them and one bike on their right? How does this work?
I *think* I've seen it done with artistic bikes, but I can't think who it would have been let alone any video example. (My memory isn't exactly infallible either)
I assume you would need at least a fixie (so that the pedals don't stall when your foot gets to the bottom) and I should think that steering is a right bugger.
# by Little Paul, 2013-01-14 19:50 GMT Parent
That would be quite a feat! I've never seen it done myself, but it sounds, though very impressive, totally possible. Have you seen it done (or perhaps even done it yourself)?
Riding between 2 tandems might be worth trying (on the back pedals of course), though I'd still imagine it to be easier with a fixie tandem - might be worth trying when I next get 2 tandems together.
- would you go for pedals in sync (ie kangaroo style) or antisync (ie walking)?
I suggested to Sam Goodburn about a month ago that he should try to ride two unicycles with one foot on each. He hasn't as far as I know been successful.
I'm sure this is possible, and I've got two bikes. Once the snow melts (which could be a few weeks away in the frozen north) I'll give it a go.
Cheers
-Mike
# by Mike Armstrong, 2013-01-15 15:49 GMT Parent
A certain disreputable webmaster sold me a set of three Spotlight clubs which needed a bit of TLC.
I ordered the parts to sort them out and stripped them down to discover that only one of them is actually a Spotlight!
So, has anyone got any Spotlight Europeans, in any condition (I've got spares to fix them!) that they'd be willing to part with? I always lusted after these clubs when I started juggling but couldn't afford them - it'd be great to have a set now
Cheers
-Mike
# by Mike Armstrong, 2012-12-27 12:57 GMT
Really?! You can't trust anyone these days!
Although fortunately for you they haven't technically been sold yet! :P
Got? Yes. Sell? No.
I bought my first ever set of proper clubs from Dave "Dr. Spot" Marchant himself, at L'Ecole San Filet in Brussels at the convention there in November '88. They are *not* in good condition any more :(
At about that time Spotlight Euros seemed to me to be far and away the most popular club in the UK, with Henry's a distant second for the good kids, and Renegades just a bit of a novelty sideshow.
# by Cedric Lackpot, 2012-12-27 19:38 GMT Parent
On the origin of jugglingAs of late, I have become increasingly curious as to the origin and history of the vast array of patterns and tricks that are practised in juggling. The more time goes by, the harder it becomes to trace back moves to their original inventor and practitioners, so it would seem the best way to preserve these histories as much as possible is to record them as soon as possible. Some might view this as a pointless activity, but I think it's an interesting and important task.However, it's very difficult to come by information such as this, and I need help - either with ideas on where to look for such information, or knowledge that you yourselves have on the subject. The best method for tracking down these snippet of history is undoubtedly from jugglers who have been around, and in the community, for longer than I, so I would be very grateful if anyone could point me in the right direction for any pattern, trick or something else along those lines.
Now there's a Herculean task.
Back when I was writing 3 ball tutorials, I used to get inundated with emails giving alternate names of tricks. MANY MANY tricks have been invented independently so legitimately have different names. Inventing tricks is quite an exciting & personal thing & everyone invented it first.
For the record though, Relf's Revenge, Relf's Revenge 6, Relf's Rubensteins, Relf's Factory & the Orinoco Flow are all mine, & I can vouch for Dave's Dilemma & Harrison's Hang being born in Tunbridge Wells too!
Anyone else remember when 441 used to be Parallel Schizophrenia?
It certainly is, yes.
Well, I'm grateful for you assistance with those three ball tricks, but I thought I'd start by doing slightly more well-known ones, if that's all right - if I include any trick there're going to be thousands of entries. Maybe after those though...
I've never heard that name for 441 - was it at all common?
I don't think it was particularly common, it was the name given when I was first taught the trick in a time before siteswap had really entered into the juggler's language. I can remember it was the name used by at least 3 other people from my neck of the woods. However, I have talked about the name more recently to jugglers from other parts of the country & no one has heard that name.
I've heard of it.
"See-saw" for the Box too.
"Utter confusion" for Mills Mess
And I invented them all. :-)
Ah yes, the box was the see-saw when I learnt it too. I vaguely recall that was the name used on the MBTM instructional video at the time.
You came up with those three names?How popular were they, in your knowledge?
Oh, right. Thank you for clarifying that. I had always thought Mills Mess was invented by Steve Mills, but now that you mention it, I did think that that explanation seemed a bit voidless.
When I learned it (in Leeds in the late 90s) it was called paranoid schizophrenia the 4s had to be outsides
Cheers
-Mike
# by Mike Armstrong, 2012-12-08 16:22 GMT Parent
I've never heard that name for 441, and I first heard 441 named in about '89 when Colin Wright first started his juggling maths lectures.
# by Cedric Lackpot, 2012-12-09 11:18 GMT Parent
I have heard 441 described as paranoid schizophrenia, but I'm not sure if that was before or after I heard it called 441 - so that's not much use is it!
I'm sure I've also heard it said that 441 as a pattern didn't exist until site swap was used to generate it, but have never really believed that as it seems a fairly obvious pattern (admittedly that's with full knowledge of its existence)
# by Little Paul, 2012-12-09 20:55 GMT Parent
It was a bloody long time ago - '88 or '89 I guess - but IIRC Colin Wright explained that 441 was the first really distinct pattern that he and his colleagues came up with and validated using their version of SS.That's not to say it wasn't independently invented before, of course, but it is a clear instance of an invention having taken place, which Mr. Wright could probably verify or deny.
# by Cedric Lackpot, 2012-12-09 21:34 GMT Parent
Yeah, I think both separate creations (if they were independent) will be worth mentioning. It would be good if I could find out who actually came up with that name for 441, when they did it, and actually confirm when 441 was discovered by Colin Wright and his colleagues, to see which came first.
I'm pretty sure it was Colin Wright that taught me 441 at a small juggling festival early 90's. I remember he (if it was him) had a monitor with 441 and 531 animations, I was so desperate to learn 441 and although he was probably used to people picking it up quicker than I, he was very patient with me. I was absolutely chuffed with the new pattern, I didn't know anyone else that could do it at the time.
# by pumpkineater23, 2012-12-12 09:09 GMT Parent
This is a job for a Wiki. Make a big table with the names of tricks in the first coloumn, then add columns for alternative names, first known performance, most noted performer, other claims for origination, etc. Throw it open to the community of jugglers, sit back, and see what happens.Even something very sparse could be knocked into some sort of shape given enough time and interest.
# by Cedric Lackpot, 2012-12-09 11:21 GMT Parent
I've been thinking about creating a wiki-based site. Eventually I think that is what I'll do, but for now I think it's quicker and easier just to use a document-based format. If it really picks up in speed, or when I have a significant number of entries I'll make the transition.
I've often wondered that too, ground breaking creation is such an interesting side of juggling. When I started juggling there didn't seem to be a fraction of the amount of 3b tricks and patterns that there are now. Many common box variations are fairly recent I think, looking back at my late 80s early 90's IJA VHS videos, the bits that make up the routines seem so old, especially over the last few years. I would be really interested to know the origins of the (incredibly adaptable) reverse slam. It seems such an obvious next step from the regular slam but I don't recall seeing it in any of those old videos or perhaps I have that wrong. Also the shower behind neck - again it seems obvious and I imagine it's quite old (rolling three large balls behind the neck has been around for a while I believe) but I hadn't seen it thrown before until quite a recent Yuri video. I suppose that nowadays with online video it's fairly easy to pin down the roots and the various directions of new stuff.
# by pumpkineater23, 2012-12-09 14:34 GMT Parent
With truly new tricks, that should be true - however, many tricks performed nowadays as "new" tricks are actually very old and are just coming into popularity now. I'll certainly use videos as sources, but I think speaking to the supposed creators is probably the best approach.
LeedsJugglingConvention 8th Dec
One week to go!
one day convention same great venue as last year, 10 am start, evening show, tea and coffee all day ,Butterfingers trading, games etc.No wheels inside but outdoor area available depending on the weather.
All day tickets:- £8 adult: under 16s £5 : under 10s free.
Show Only tickets £4
More details about Leeds Juggling Convention (#LeedsJugglingConvention) might be found on their website www.juggler.net/leeds
There will also be the opportunity to pre-register for BJC 2103 (#BJC2013) at Leeds, before the price goes up at the end of the month.
I was wondering that too. Even though I can't attend, it's still nice to see what I'm missing out on :P
The current workshop schedule is as follows. If anyone would like to do a workshop please let me know and I'll pencil you in. Or just turn up and stick it on the board on the day.
1pm
Steph Robinson – Beginner Poop
Ross Burton – Whip Cracking
2pm
Ash Ferrari – Multi-Hoop
Jim Halloran – Contact Ball
3pm
John Godbolt and Piers van Looy – Partner Poi Skillshare
Lawrence Turner – Balloon Modelling
4pm
Steph Robinson – Isolation Hoop
Jim Halloran – Hat Manipulation (please bring your own hat)
Ross Burton Whip Cracking (repeat as necessary)
See you all in Leeds!
R.
# by Alexander Rossi, 2012-12-04 16:44 GMT Parent
It's poi-hoop.
# by Alexander Rossi, 2012-12-04 18:07 GMT Parent
Good job I didn't change it then. I was not aware of this movement.
Bowel movement?
# by Little Paul, 2012-12-04 19:08 GMT Parent
Well, if it stands for "poi-hoop", it's effectively the same thing.
Shhh you
They're two of my all time favourite props combined in one skill... Now if someone can get shaker cups in there as well...
# by Little Paul, 2012-12-04 20:44 GMT Parent
Was that... British humor? http://www.youtube.com/watch?v=rfh4Mhp-a6U
# by Rob van Heijst, 2012-12-04 21:58 GMT Parent
Update
1pm
Ash Ferrari – Multi-Hoop
Ross Burton – Whip Cracking
2pm
Steph Robinson – Beginner Poop
Jim Halloran – Contact Ball
3pm
John Godbolt and Piers van Looy – Partner Poi Skillshare
Lawrence Turner – Balloon Modelling and Poker Chips
Ross Burton Whip Cracking (repeat as necessary)
4pm
Steph Robinson – Isolation Hoop
Jim Halloran – Hat Manipulation (please bring your own hat)
# by Alexander Rossi, 2012-12-07 20:35 GMT Parent
I'm wearing my Leeds 1999 tshirt today. "The juggling convention so good, we named it Basil"
I have only just realised that the lettering is Comic Sans.
I may never wear it again.
# by Little Paul, 2012-12-03 18:48 GMT Parent
Can it be comic sans if it was handwritten?
Cheers
-Mike
# by Mike Armstrong, 2012-12-04 09:20 GMT Parent
was it? (Well, you would know I suppose) it's remarkably consistent in the lettering if it was.
I think I'll convince myself that it couldn't possibly be Comic Sans, just so I can carry on wearing it...
# by Little Paul, 2012-12-04 15:53 GMT Parent
I'll check, but I'm sure the whole thing was hand drawn/written by Ruth
Cheers
-Mike
# by Mike Armstrong, 2012-12-05 09:33 GMT Parent
I've checked. I'm sorry about the font; they were more innocent times. Now that I've dug it out though I'm wearing it to #leeds
Cheers
-Mike
# by Mike Armstrong, 2012-12-08 10:36 GMT Parent
Thankyou to everyone who came and all those who helped we had a pretty good turnout.
We have aquired some lost property
one childs coat, left at the show venue
one grey sweatshirt
one balloon pump!
If anyone thinks they have lost anything else let me know and I will ask the school to keep an eye out
hopefully same time/same venue next year
Alice
Jemma was learning to juggle on her inline skates, Cat was bitching about references in Marvel comics. I took about 30 attempts to hit a one turn lighthouse, Simon, who has been trying to worm out of competing at the upcoming SRC did it in 3. Laurence had control of the music this evening & we ended up playing gladiators Gangnam Style which was a sight to behold. Apparently there is a lot more to it than leaping about as if riding a hobby horse.
May I also present our new flyer which demonstrates the marvelous use of a QR code as supplied by the Edge.
#twjc
You can't get much better than silhouette-based posters, I've always thought. Nicely done, although a bit of colour could be nice (I assume you haven't got any due to printing costs).And just because I like being a pedant, the standard in British English is to use full stops rather than colons in times (e.g. 7.30 rather than 7:30) :D
And just because I like being a pedant, the standard in British English is to use full stops rather than colons in times (e.g. 7.30 rather than 7:30) :D
Reference?
# by Mike Armstrong, 2012-10-19 10:52 BST Parent
Either can be used according to this
http://en.wikipedia.org/wiki/Date_and_time_notation_in_the_United_Kingdom
Traditionally though, it has been the full stop. Too many people are following the Americans' example now though. Almost certainly due to the fact almost every digital watch uses a colon.
Traditionally, the language has dynamically adapted to the needs and desires of its users. Thus the more prevalent use of the colon in recent times is entirely traditional.Is there some animus you have against the double stop? I've always liked it myself since it tends to rule out other uses, whereas the single stop lends itself to confusion with decimal fractions amongst other things. It's a bloody good job the language adapts!
# by Cedric Lackpot, 2012-10-19 18:05 BST Parent
You could use that rule to say literally anything is "traditional" in the English language — it's a totally incorrect way to use it.I fail to see a situation in which the full stop separator could be misleading if used correctly — perhaps you could show me how? :D
An experiment to find the peak shadow length in metres finished at 14.22
Is that 14.22m or 2:22pm? Yes it's a poor sentence but that's not the point. It's not about writing correctly, it's about writing unambiguously.
The UK standard for date & time usage is BS EN 28601 which states to use a colon :)
Yes, either a colon or full stop can be used (for example the style guide for The Times newspaper specifically requires the use of '.') but the colon is by far the most common in a lot of different countries.
I love the look of the flyer. Really striking design.
I wonder if it might be a good idea to add a little more information if you want to encourage new members or people from outside the juggling community? Things like beginners welcome, equipment supplied, all ages, a brief sentence describing what you do...
Phil
# by Phil Blackmore, 2012-10-20 13:19 BST Parent
We did have beginners welcome on the flyer and thought it looked better without.
We decided all the information needed is on the TWJC web site or can be obtained by phoning or emailing.
4,000 Years Of Juggling volume II - on eBay now.
Link here. I wonder whether this will go stratospheric, or fizzle out like a damp squib?# by Cedric Lackpot, 2012-10-18 11:42 BST
Bit of a high start price....
And it's the wrong one (for me) :-(
Preface
Jugglers on Horseback
Juggling Clowns
Strong Jugglers
Gentlemen Jugglers
Other Jugglers
Funny Jugglers
Talking Jugglers
Three-Piece Jugglers
Ball Jugglers
Juggling Solos and Duos
Club Juggling Troupes
Hoop Jugglers
Female Jugglers
Acrobatic Jugglers
Jugglers on Ladders and Globes
Jugglers on Unicycles and Slack Ropes
Balancing Artistes
Diabolo
Foot Jugglers
Street Jugglers
Tips for Beginners
International Jugglers Association
Most of those chapters are common to Volume I without the early history Chapter. I guess that what you get in Volume II is a different set of photos and the three last chapters, which aren't in Volume I.
Volume I is earlier material, with a large portion of the images being illustration based promotional material (or early photomontage)
Volume 2 may appear from the contents page to cover much of the same areas, but it does so with later examples of promo material, photographs etc.
So while there is a fair bit of crossover in the topics covered, the material used is really quite different. For my money, volume 2 is where a lot of the "wow, they really did do *that* trick two performances daily!" inspiration is, and volume 1 is where the "this is what they claimed to be able to do on their posters" material is.
# by Little Paul, 2012-10-20 12:16 BST Parent
If there was the possibility, would it be worth getting both volumes then?
I would say that if you are in a position to get both at a price you're happy with, do so.
They're both very interesting reads for different reasons. If you can only get one, then volume 2 is likely to be the biggest hit of awesome for the juggler in you, and volume 1 is probably more interesting for historians of juggling/promo material in general
# by Little Paul, 2012-10-20 19:27 BST Parent
Bah! Bloody 3G connection
# by Little Paul, 2012-10-20 19:38 BST Parent
Beyond the stratospheric, this is now nipping at Voyager 2's heels.
€560 !!
Bloomin' eck.
That is considerably more than I've ever spent on books in my life.
Books generally just make their way towards me of their own accord which is nice. I recently acquired a large portion of Michael Crichton's back catalogue which I'm enjoying a lot. I just finished A case of need which was really good.
This is the sort of book that would greatly benefit from an eBook version.
Well, you could try asking KHZ if he's willing, but I imagine there'd be quite a few owners of the paper version who would be horrified at the possibility of their precious volumes becoming somewhat devalued.Personally, I think they are ridiculously overvalued at the moment, and I speak as an owner of a very fine copy! The Taschen Circus Book is just as interesting in my opinion (though I admit it's a book about circus, not juggling), knocks 4,000 Years into a cocked hat for production values, and is between a tenth and a fiftieth of the price depending on which grossly overinflated valuation you choose to go with.
# by Cedric Lackpot, 2012-10-27 19:08 BST Parent
I've got a lot to say about this subject (as you might expect) as I can see both sides of the "ebook" fence, and which side I come down on changes every time I think about it. If I get around to it, I'll write a big post, there's certainly enough to do so!
However, a couple of quick points:
I agree, the prices being reached on ebay are in excess of what the books are worth paying for (as gorgeous as they are) - but I'm seeing this a lot on ebay with all sorts of collectables. The price people are willing to pay on ebay just seems to be higher than through other channels.
I paid £100 for my 1950s phone exchange directly from another collector, I've obtained spares for it either for free or by swapping for items I don't need. However, I've seen just the chassis (none of the difficult-to-find useful working parts) go on ebay for £250 and complete working units (which were still less complete than mine) top £600.
Was that a lucky purchase on my behalf? Or is ebay a feeding frenzy of overpricing amongst bidders with deep pockets who don't know any better?
The Taschen Circus Book is *awesome* and a complete bargain if you ask me. If you don't already have a copy and are lusting after 4000 years, sort your priorities out and get Taschen first (and a copy of "Virtuosos of Juggling" and "Juggling with finesse" which are both cheap as chips and contain plenty of photos which are of the same standard/inspiration value as 4KY)
If I didn't already have those books (and "Juggling - The art and its artists" which is also more a accessible price than 4KY) then I'd be shopping for them first, unless of course a copy landed in my lap at a bargain price.
For years, I lusted after a copy of "Cards as Weapons" by Ricky Jay. It's another book which commands prices disproportionate to its contents value. A couple of years ago, I got a hooky PDF version and all the joy went out of it.
Cards as Weapons is poorly written (4KY suffers from that too), learning card throwing from it would be difficult. The bubble burst for me within about 5 minutes, and I'm no longer interested in acquiring a copy. I'm not even interested in it enough to know which hard disk the PDF is on.
Had I obtained a physical copy of the book, I'd probably still be excited about it as a collectable object and would look proudly upon it on my bookshelf.
tl;dr
Sometimes a book is more than then information it contains. Ebay is not the best place to buy this stuff.
# by Little Paul, 2012-10-28 16:27 GMT Parent
Ebay is not the best place to buy this stuff.
Not always - https://docs.google.com/spreadsheet/ccc?key=0Ap-iTDAv5ioDdGtzQ3MydlZfWnB3U1d1dml0VTFyS1E#gid=0 has a fairly up-to-date list of my juggling library and most (maybe all) of the really old stuff, say pre-1930s, came off Ebay for bargain prices.
http://www.ebay.co.uk/itm/150922332732?ssPageName=STRK:MEWNX:IT&_trksid=p3984.m1439.l2649 was my most recent purchase and, at £10 plus postage, is possibly the most expensive non-KHZ juggling book in that spreadsheet.
However to make Ebay work you need to do your research and find out about the rarities so that you can find them when they come up, everybody is looking for 4000 Years and the Art and its Artists so prices get silly. Put the effort in and you'll find some gems for a lot less.
Cheers
-Mike
# by Mike Armstrong, 2012-11-05 14:18 GMT Parent
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